I’m pleased to announce that my latest play, “Nice Things” will be part of the Road Theatre’s Summer Playwrights festival in North Hollywood, CA. The festival runs from July 28th through August 4th. On one of these nights, “Nice Things” be be heard. Elina de Santos, co-artistic director of the award winning Rogue Machine Theatre Company in Los Angeles, will direct. Please click the title above for more information.
The Writers Group at Pacific Resident Theatre
by Vince Melocchi
In 2001, my first full-length play, FIGURES, which deals with the world of action figure collectors, had just completed a 3 week workshop run at Pacific Resident Theatre in Venice, California. Afterwards, fellow writer and actress Valerie Dillman approached me about starting a writer’s group at PRT, suggesting that we should “meet and help each other develop our work.” It was the start of a journey that would help bring to life Valerie’s hit play, SARAH’S WAR, my plays LIONS (published by Samuel French) and JULIA (which eventually went on to Off-Broadway at 59e59 Theatre), and OUT THERE ON FRIED MEAT RIDGE RD., a hit comedy by Writer’s Group member Keith Stevenson. In different ways, the seeds of all these plays were planted in the Writers Group.
LIONS grew out of a 24 Hour Play Festival the group put together. Each writer was given three actors, a director, a title – and just 24 hours to present a finished ten-minute play before a live audience. I drew the title “A Night of Lions.” It made me think of the unemployment picture in Detroit and their losing football team, so I created a play about that. It turned out well, so I decided to expand the play into a full-length. As I worked on it, I continued to bring scenes and rewrites into the group each week. As the play took shape, I contacted Guillermo Cienfuegos, a director whose work I admired, and we developed and produced the play in PRT’s Co-op. The Co-op is a wonderful and unique element of Pacific Resident Theatre that allows any member of the theatre to book the space and present anything they want for a limited 3 week run. Marilyn Fox, the Artistic Director of PRT, approached us about making LIONS a mainstage production. With the support of our theatre and our subscribers, LIONS had a sold out run with terrific notices and award nominations, and it was subsequently published by Samuel French.
In 2006, we presented an evening of one-act plays set in a diner. Six writers from the group were given a simple task – write a one-act play about anything you like, so long as it’s set in a diner. Valerie Dillman wrote a scene between a mother and father after they have seen their daughter leave for the Gaza Strip to function as a human shield. From this one scene, her play SARAH’S WAR was born. After bringing pages into the group and receiving very useful feedback from the members, it was also developed in the Co-op and went on to a critically acclaimed production at The Hudson Theatre in Hollywood.
Recently, I proposed we do a staged reading series using plays developed in the group over the course of the year. My idea was that we would give each writer an opportunity to have their play read before an audience twice – so that changes could be made if necessary between readings and writers could make the most out of the experience. The series was such a huge success that we are repeating it again this December. From that series, OUT THERE ON FRIED MEAT RIDGE RD. by Keith Stevenson emerged and is currently enjoying a sold-out Mainstage run, and three others are slated to be produced in our Co-op – including my newest play, WELCOME TO SANTA.
The PRT Writer’s Group has been blessed with a terrific artistic home – surrounded by loving and caring actors, directors and technical staff without whom our new works would not be possible. Our words are just letters on a page until they are brought to life by the artists at PRT. Through the Writer’s Group, different people from different backgrounds come together in support of a common goal. It’s a safe and challenging artistic home for our members. This environment allows the Writer’s Group to work as a team, pushing each other to become better playwrights, storytellers and artists. That’s the thing that really excites me.
It’s not always easy, but it’s worth it.
“WELCOME TO SANTA” will be given a developmental workshop production at PACIFIC RESIDENT THATRE in Venice, CA. from NOVEMBER 29th to DECEMBER 23rd.
Guillermo Cienfuegos, who directed the award nominated plays, LIONS and JULIA will be directing. Keith Stevenson, who starred in and produced JULIA both in the West Coast premiere and the successful Off- Broadway run at 59e59 Theatres will produce.
About the Play:
It’s the holiday season of 1983 and Sal is alone – just the way he likes it. Until his friend Ernie introduces him to Rosemary, his new prostitute. What begins as a favor for Ernie sends Sal and Rosemary into an intense and complicated relationship that changes all of their lives.
Here’s an article I wrote in “Breaking Character”, an online magazine from Samuel French publishers. The piece focuses on developing new plays at the Writers Group at Pacific Resident Theatre in Venice, CA.
My latest play, Welcome to Santa (A finalist in the 2012 Ashland New Play festival) is being presented at the critically acclaimed, award winning Road Theatre Company in North Hollywood California on Wednesday, August 8th at 8 PM as part of their Summer Playwrights festival, directed by the award nominated Guillermo Cienfuegos.
For more information, please click the link above.
About the play – IT’S THE HOLIDAY SEASON OF 1983 AND SAL IS ALONE. UNTIL HIS FRIEND ERNIE INTRODUCES HIM TO ROSEMARY, HIS NEW PROSTITUTE. WHAT STARTS AS A FAVOR TO ERNIE LEADS SAL AND ROSEMARY INTO A VERY CLOSE AND COMPLICATED RELATIONSHIP, THAT CHANGES ALL OF THEIR LIVES.
For every script I write, as soon as I know what story I’m going to tell, I create a music playlist. Obviously, for every story it’s different. For instance, while writing “LIONS”, I listened to a great deal of Bruce Springsteen, Bob Seger, Journey, and the Ohio based Michael Stanley band, and other “Midwestern” rockers from the 70’s and 80’s. Most of what I listen to when I write is dictated by what the lead characters journey is. For “LIONS”, it was this guy that grew up in the 70’s, listening to these bands. I’m currently doing the same for my new play and all I can say is that at this time, there is a lot of Rolling Stones, Lou Reed and Warren Zevon. I’ll keep you posted…